15 March 2017 1646 Views

Gavin Hood’s X-MEN ORIGINS: WOLVERINE

by Frank Mengarelli

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The idea behind this film was to franchise origin stories, including a Magneto film that turned into a soft reboot of the X-Men films with FIRST CLASS. We were also supposed to get a solo Gambit film that is still currently in development limbo, and a Deadpool film with Ryan Reynolds that eventually took seven years to get off the ground. What ended up happening was an unintentional Wolverine trilogy.

This film has some major flaws and is an imperfect picture. The two sequels, THE WOLVERINE and LOGAN, remain superior films to this, yet Origins still remains my favorite Wolverine film warts and all. The X-Men franchise has never taken continuity into consideration. Actors were recast in important roles, most notably in this film Danny Huston as William Stryker and Liev Schreiber as Victor Creed/Sabertooth. Timelines get blurred, especially after the hard franchise reboot of DAYS OF FUTURE PAST, and what ends up happening is a reinvented origin for Wolverine. Basically, the takeaway here is that the timeline continuity of the X-MEN films is almost as confusing as the TERMINATOR saga.

What saves this film from absolute failure is two important factors and why this remains my favorite Wolverine centered film. Firstly, the opening credits sequence is phenomenal. Spanning the course of every major American war from The Civil War to Vietnam we watch Jackman and Scheiber, brothers in arms, relentlessly fighting and almost single-handedly winning each war for America. As the wars rage on, Logan observes and acknowledges Creed’s bloodlust and morality eroding.

Secondly, which is encompassed in the opening credit sequence, the relationship between Logan and Creed. They’re brothers, they share the same mutant powers. Freakish regeneration and organic weapons from their hands. What sets them apart is important. Creed isn’t as strong as Logan when it comes to regeneration, he would not be able to survive the Adamantium process as Stryker tells him. Most importantly, Creed lacks the morality that Logan attains. Logan has empathy, Creed does not.

Violence is what both of them were born into, what their sole purpose became as they aged into warfare. Creed’s bloodlust overtook him and what little compass of morality he had was disbanded, while Logan was more sensible – more in touch with humanity. This comes full circle in the botched third act of the film that turns Wade Wilson into the super mutant Weapon XI. It is a silly ending that promises the future reconnection of Logan and Creed. Regrettably, that never happened; which is a total and complete shame considering this year’s LOGAN was the perfect opportunity to do so.

Casting the dated CGI and third act aside, this film is still steeped with fertile X-Men lore. We get a cool glimpse at Taylor Kitsh as Gambit, which leaves us wondering what could have been had he reprised his role in future films. Taskforce X led by Stryker (who does Brian Cox’s original turn absolute justice) is a very fun aspect of the film yet is underutilized. Aside from Logan and Creed, the team is made up with Reynolds as Wade Wilson (pre-Deadpool), Daniel Henney as Agent Zero, Kevin Durand as Fred Dukes/Blob, Will.i.am as Wraith, and Dominic Monaghan as Bolt.

This film could have been monumentally better, but if you take it for what it is, it remains an incredibly enjoyable picture. Had the film focused more on Logan and Creed fighting their way through major wars, or made Taskforce X the focal point, this film would have been fantastic. What we’re left with is an at times clunky vehicle with an easter egg packed third act that left most Wolverine diehards disappointed. Regardless of keyboard warriors trolling of this film, it’s a lot of fun with colorful dialogue, heavy adult themes, and a once in a lifetime performance from Liev Scheiber as Victor Creed. ORIGINS: WOLVERINE rightfully earns its keep as the starter for one of the most beloved superhero trilogies in recent memory.



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